The Pink Floyd Movie Synchronization Story 2001

The Most Comprehensive List of Pink Floyd Movie Connections on the Web

Formerly known as Pink Floyd Secrets and Synchronicities

By Andrew C. Wendland

(remove "no-spam" from address)

With Contributions from Jeff Stillman and Kenny Dreamx

Originally Introduced 16.04.1998

Significant Updates 07.11.1998 & 16.04.2000

Latest Movie Synchs Revealed 21.12.2001

Last Updated 21.12.2001


During the latter part of 1997, I heard a rumor that when Pink Floyd's masterpiece Dark Side of the Moon (DSotM) is played while watching the 1939 film classic The Wizard of Oz (TWoO), several connections or synchronicities between the two appear. These connections included the lyrics, the song titles, the mood and timing of the music, and even the cover art. A friend of mine sent me a list of several connections, and I became immediately intrigued. That night I bought a copy of the film and tried the experiment. It was absolutely fantastic! It was way better than I had envisioned. I was extremely impressed with how well the synchronicities lasted through the entire album. So, after watching a few more times, I was absolutely convinced that it was an intentional creation by the band. (I am definitely in the minority in regards to this. Most people think it's all a coincidence.) As an engineer, I asked myself a simple question, "How would they accomplish this task?" They would have to obtain a reel of the film and a projector. How hard would that be for a successful rock band to do? Not that hard considering they had friends in the movie business. Pink Floyd had performed on at least three movie soundtracks already with More, Zabriskie Point, and La Vallee (The Valley Obscured by Clouds). How did Pink Floyd get the idea? Consider this quote taken from the CD booklet for the Zabriskie Point Soundtrack (page 24) when Don Hall describes how Jerry Garcia created one of the songs: "We went into the large studio at M-G-M, which they usually used for the symphony orchestras. And Jerry sat there by himself, on a stool, laying it down. They had the love scene on a loop, and he played live while the film was running. He didn't want to do it away from the film and then cut things in. He played right to every single shot in the scene. That's why there are certain notes over certain frames, over people moving in the desert. He played right while watching it. It was miraculous -- pure genius." Has the band left clues to point to the DSotM/TWoO synchronization? Consider these facts listed in the Shine On book from the box set: "1969 - Judy Garland found dead in her London flat. 1971 - Editors of OZ are charged with obscenity at the Old Bailey. 1971 - Pink Floyd premiere 'Eclipse,' later to be named 'The Dark Side of the Moon' at the Rainbow Theatre." I don't think I need to remind anyone about the biggest song of TWoO, "Somewhere over the Rainbow."

The thing I noticed about DSotM was that the album had one central theme and the songs flowed from one to the other, unlike most rock albums that have distinct breaks between songs. I then realized that several Pink Floyd albums exhibit the same characteristics of one central theme, songs flowing together, and elaborate artwork. I thought to myself, if they truly created the DSotM/TWoO Synchronization, then maybe they did it again. I went to visit my friend Jeff Stillman, who knows a lot about movies, to tell him my thoughts. I wanted to create a list of the biggest, most popular, or most important movies of all time. Our list was something like this: Gone with the Wind, Casablanca, It's a Wonderful Life, The Ten Commandments, and The Sound of Music. So, I went to video store and rented a bunch of movies. The main album I was targeting was Wish You Were Here (WYWH), the follow-up of DSotM. I remember trying Animals with Animal Farm that night. It didn't work. However, my friend Jeff found a connection between Wish You Were Here and one of our listed movies. He told me about it the next day, and after a week or so, he had written up an excellent essay explaining the connections, which is included on this page. From this point further, I began my search for a movie synchronization for each Pink Floyd album, and this web page is the result of my efforts. I only include on this page what I feel are intentional synchs created by the band.

I have discovered two brand-new movie synchs in the year 2001. Below I reveal them and describe a total of 15 intentional Pink Floyd synchs spanning 12 albums.

Albums and Movies

Here is a list of the albums and movies. See if you can match them together correctly.

Ummagumma - Studio Album (1969)

Atom Heart Mother (1970)

Meddle (1971)

Obscured by Clouds (1972)

Dark Side of the Moon (1973)

Wish You Were Here (1975)

Animals (1977)

The Wall (1979)

The Final Cut (1983)

A Momentary Lapse of Reason (1987)

The Division Bell (1994)

Echoes The Best of Pink Floyd (2001)

Gone with the Wind (1939)

The Wizard of Oz (1939)

Casablanca (1943)

It's a Wonderful Life (1946)

Alice in Wonderland (1951, animated Disney classic)

Sayonara (1957)

GiGi (1958)

The Longest Day (1962)

Doctor Zhivago (1965)

The Sound of Music (1965)

Planet of the Apes (1967)

2001 - A Space Odyssey (1968)

A Clockwork Orange (1971)

One Flew over the Cuckoo's Nest (1975)

E.T. The Extra-Terrestrial (1982)

A Summary of the Results

If you are interested in finding the album/movie combinations on your own, read no further. In this section, the Pink Floyd albums are listed in chronological order with the corresponding movie. In most cases, only part of the movie lines up with the album, but in a few cases the entire movie can be played to music. A detailed description of each synch appears after this section. I find that playing a movie with the Closed Captioning helps to follow the movie plot and themes, while performing the synch.

Pink Floyd

Pink Floyd

Pink Floyd

Along with each album and movie, I list my rating (grading) of the quality of the synchronization.

The Piper at the Gates of Dawn (1967)

A Saucerful of Secrets (1968)

More (1969)

1. Ummagumma - Studio Album (1969) with GiGi (1958)

Zabriskie Point (1970)

2. Atom Heart Mother (1970) with Doctor Zhivago (1965)

3. Meddle (1971) with Gone with the Wind (1939)

4. Meddle's "Echoes" (1971) with 2001 - A Space Odyssey's "Jupiter and Beyond the Infinite" (1968)

5. Obscured by CLOuds (1972) with A CLOckwork Orange (1971)

6. Dark Side of the Moon (1973) with The Wizard of Oz (1939)

7. Wish You Were Here (1975) with It's a Wonderful Life (1946)

8. Animals (1977) with Casablanca (1943)

9. The WALL (1979) with ALice in WonderLand (1951, animated Disney classic)

10. The Final Cut (1983) with The Longest Day (1962)

11. A Momentary Lapse of Reason (1987) with Sayonara (1957)

12. The Division Bell (1994) with The Sound of Music (1965)


13. The Division Bell (1994) with Planet of the Apes (1967)

14. Echoes The Best of Pink Floyd (2001) with E.T. The Extra-Terrestrial (1982)

15. Echoes The Best of Pink Floyd (2001) with One Flew over the Cuckoo's Nest (1975)


Pink Floyd

Pink Floyd

Pink Floyd

The Analysis

This Page's Featured Movie Synchronization:

Synchronization #7

Wish You Were Here (1975) with It's a Wonderful Life (1946)

Written by Jeff Stillman

In October of 1997, my friend and co-worker Andrew Wendland sent me e-mail about the strange coincidences that exist between Pink Floyd's The Dark Side of the Moon album and The Wizard of Oz. The e-mail doesn't say when the connection was first made, but it's probably old news by now.

Still, it was new to us, and it got Andy thinking that maybe there was another Pink Floyd album synched up with another movie. In fact, he thought Wish You Were Here, the follow-up to Dark Side, might be a perfect candidate.

Now, I don't own every Pink Floyd CD like Andy does, and I haven't been to a single Pink Floyd concert like he has, but I do like a good mystery. And I know a lot about movies, especially old movies. That's why Andy called me.

We threw around some ideas over the phone to try to narrow the field - looking at the album cover and the lyrics, looking at what type of movie The Wizard of Oz had been... We came up with a handful of movies.

I happened to own one of these movies, and I had a copy of Wish You Were Here, so after Andy hung up, I gave it a try. To be honest, I wasn't expecting to find a connection to any movie, much less this one, so I wasn't about to spend the next month of my life looking for one. I said I'd give this movie five minutes to show me something. But what a first five minutes it was...

Still, I was a bit disappointed after the first few scenes. I was looking for lyrics that matched up with screen action, or scenes that ended when songs ended, and I didn't find many. But Andy was sure we'd nailed it, so we both watched it a few more times. And by the end of the week, I agreed with him.

Now, for all we know, we're behind the times again. Maybe someone already figured this out. But maybe not. So here it is, for your viewing and listening pleasure... we present to you Pink Floyd's Wish You Were Here, and Frank Capra's It's a Wonderful Life.

P.S. We have included our own list of connections, as well as a sort of "thesis" on the similarities between the two works. Mostly in case you think we're full of it, but also for your reading pleasure.



If you haven't seen It's a Wonderful Life in a while, we suggest you watch it straight through. The song lyrics may bring to mind certain lines, scenes or themes not shown in the first 45 minutes. The music also makes more sense if you know what the scenes are about. That way, you can watch the movie with the sound off when you play the CD. And hey, it's a great movie!

The exact starting point is a subject of debate between Andy and myself. The picture is not an MGM release, so you're not synching up the CD with the lion's roar this time. For all we know, neither of us got it exactly right, but try it both ways. The point is that you should be listening to how well the music fits the mood of the scene, and how well the lyrics relate to the character of George Bailey.

Jeff's way: Pause It's a Wonderful Life just after the "Republic Pictures" eagle disappears. (This is the moment before the bell starts ringing to open the picture.) Start the CD/tape. About 10 seconds after the synth and a sort of "cosmic rainfall" sound begin, you'll hear what sounds like an arcade game laser blast. Unfreeze the movie after you hear this sound. (The way you know you've got it right is if the book appears at the same time another synth enters the composition.)

Andy's way (updated): Start the CD at the very beginning of the movie. Repeat CD until the end of the movie.

For the sake of reducing confusion, the connections listed below are based on Jeff's way.


It's a Wonderful Life / Wish You Were Here

Watching the movie and listening to the music

1. The book appears with the entrance of a synthesizer. The synthesizer drops out as the book disappears.

2. The book is replaced with scenes of snow falling, and there is a "tinkling" sound that sounds like rainfall or snowfall.

3. The heavens appear as the first guitar begins playing.

4. Clarence the Angel (Second Class) is symbolized by a star. When he speaks, the star becomes diamond shaped.

5. The heavens scene fades out with the end of "Diamond Part I." "Part II" begins as the screen starts to go white with the guitar line "B flat - F - G - E."

6. The sledding scene is pretty well synched up to the guitar and drums. The music turns ugly when Harry Bailey falls through the ice.

7. "Diamond Part IV" features a "crying guitar" solo. The music fits with Mr. Gower's grief at having lost his son.

8. "Remember when you were young" is sung while we're looking at the young George Bailey. "Shine on you crazy diamond" is sung during a close-up. (*See note 16.)

9. "Part V" begins with the second of two sax solos. The transition occurs at the same time as the transition from the young George to the old George.

10. Before "Welcome to the Machine," there is a sound of a motor running. The scene at this point is a street in Bedford Falls - specifically, of George and Bert the cop standing outside Ernie the cabdriver's idling cab.

11. "Welcome to the Machine" begins with the dinner scene at the Bailey household. The whole scene is nearly the same length as the song. (*See the discussion of the lyrics.)

12. At the end of Side 1 of the album, we hear dialogue from a party scene. As the dialogue begins, George is at a high school party. He looks across the room and sees Mary. As they move towards each other, the background noise gets quieter. When they are face to face, it stops.

13. At this point, "Have a Cigar" begins, and George and Mary start dancing. This is the only dance scene in the movie, and it seems at times to be choreographed with this song, the liveliest on the album.

14. The dialogue after "Have a Cigar," held between a man and a woman, takes place during a conversation between George and Mary.

15. The Granville House scene with George and Mary fits the mood of "Wish You Were Here." The scene is about their wishes, and Mary actually wishes that George were there, living in the house with her. (*See the discussion of the lyrics.)

16. "Diamond Part VI" begins with the sound of the wind, as if a storm is brewing. Inside the Bailey Building & Loan, Mr. Potter is beginning his tirade against the B & L and Pa Bailey. The dark music starts up as he really gets going, and then George tears into him in response. The whole scene should really be watched with the TV volume up for the full effect.

17. "Part VII" returns to the line "Shine on you crazy diamond." This time, we get a close-up of the adult George.

18. "Part VIII" is a sort of 70's shuffle, music that fits the mood of the Harry Bailey wedding party scene, with George hanging out on the porch.

19. "Part IX" is somber and reflective. It starts when Ma Bailey tells George to go out and find some answers for his life, and continues as George wanders through the town looking for them. The music finally gets bright again when he arrives at Mary's house. After all, Ma said that Mary was the sort of girl to help George find them.

20. Side 2 ends the same way Side 1 ends - with George looking at Mary from a distance, and then coming face to face.

Oh, and one more thing...

About six seconds into the party dialogue after "Welcome to the Machine," a man yells out a name. We swear he says "George Bailey."


Pink Floyd meets George Bailey

by Jeff Stillman and Andrew Wendland

Musical connections aside, there is a great deal that can be said about Wish You Were Here and It's a Wonderful Life...

The Lyrics

The song lyrics can all be associated with George Bailey. That is not to say that every word is about him, but there are enough similarities to suggest that scenes from the film were at least starting points for the songs.

In fact, simply retelling George Bailey's story through music and lyric would probably not have been satisfying enough for lyricist Roger Waters. Consider instead that in at least two of the songs the imagery is of a band, or of a rock star. It is an interesting journey to read the lyrics with the idea that perhaps Waters is associating himself - or the band - at this post-Dark Side stage of their career... with George Bailey.

Shine On You Crazy Diamond (Parts I-V)

The first three lines set up the premise of the film: George Bailey is about to commit suicide, and we are about to be treated to a flashback of his life. We see him as a child, then as a young man, talking in scene after scene about his plans to travel, go to college, and build great things. (The phrase "Remember when you were young, you shone like the sun" appears during the first of these.) Of course, we know he never gets out of Bedford Falls. His first opportunity to do so is cut short before it begins by his father's death, Before long, his filial (or "childhood") duty to his father and what he stood for has eclipsed his chance at any "stardom" outside that town. And by the time the flashback has ended, he is standing on a bridge with a look in his eyes of despair and emptiness, ready to give up his life.

The first three lines of the second verse are not as clearly about George, although there is a reference to the moon, which becomes the subject of a painting by Mary. It is the symbol of all of George's aspirations, and a reminder of his failure to achieve them.

As for the "Come on you..." lines, at least a handful of these words can be immediately related to George. He was a "seer of visions," though now he finds himself a "prisoner" of Bedford Falls. He is at times a "raver," ("Am I talking too much?") though he was more a sort of pied "piper" during the panic of the Depression.

Welcome To The Machine

"Welcome To The Machine" begins during the last scene where we see Pa Bailey alive. During this dinner scene, Pa asks George to consider working for the Building & Loan. George objects strongly, but within ten minutes of film time he will find himself replacing his father at the B &L - for the rest of his life. But it is his father's invitation to him that the first line of the song echoes. An invitation to join the working world, to run a business "of nickels and dimes" where he has to fight to "scrape together three cents just to light the pipe," and to be ground down as his father was before him so that in the end he too has to "crawl to Potter." "Welcome my son, welcome to the machine."

("What did you dream," George? Never mind that now..."we told you what to dream.")

So what then of the imagery of a rock and roll star? On the strength of The Dark Side of the Moon, Pink Floyd had become commercially successful. If there were ever an apt metaphor for the music industry, it would be the machine. And even if Pink Floyd had managed to avoid it until 1973, there was certainly no escaping it now.

But perhaps Roger Waters knew from the beginning that there would be no escape for the band... or for him. Perhaps the song is more about his own life, that from moment he bought his first guitar, he had become part of the machine...

Have a Cigar

Come in here, dear boy, have a cigar." The words could easily have been Mr. Potter's, merely trimmed from the final film to keep it under two hours. We pick up the scene with George already in Mr. Potter's office, with Mr. Potter lighting the cigar for him. The rest of the scene is Potter at his most manipulative, trying to inflate George's ego, to give him such a big head that George will sign his life over to Potter - without realizing the consequences. "You're gonna go far, fly high... I've always had a deep respect, and I mean that most sincerely..." These could easily be substituted for his actual lines.

Here again, the first three lines give way to imagery of a band. And here again, the seductive charm of Mr. Potter might well have been a record executive in Pink Floyd's past. The idea is the same - the sweet-talking man with all the money and power dangles a contract before the young idealist. But while George Bailey turned him down, Roger Waters and the band did not. Years later, their Mr. Potter would pressure them to match the success of Dark Side - with its "sell outs," sales one could "hardly count," and its weeks on "the chart" - with their next album. This one.

Wish You Were Here

The first stanza asks the question, "Can you really tell what's good from what's bad?" The second asks, "What did you give up, and what did you get in return?" These questions are the heart of the film. George Bailey finds that his darkest hour is only a moment away from his brightest. He gave up his heroes in the National Geographic Society for the ghost of his father, and his bad ear kept him imprisoned in Bedford Falls while his brother became a war hero, but he was not a failure. What he got in return was a town of friends, and "no man is a failure who has friends."

But who is the speaker? Who compares himself to George in the third verse? Who is the "I" of "How I wish you were here?"

Clarence the Angel (Second Class) does the asking in the film - "So you still think it would be better if you hadn't been born?" Is it his wish that George will find that his life is worth living, and wish again to be here - here in Bedford Falls? For Clarence is himself a sort of lost soul, trying for the last hundred years - "year after year" - to earn his wings, and he can do it by saving George. And yet, Clarence doesn't have any "old fears," at least that we can see...

What about Mary? After all, the song occurs during a scene she shares with George. A scene where she makes a wish outside the old Granville House - that she and George will someday live there as husband and wife. She literally wishes to herself, "How I wish you were here... with me" And then again, as he drives away to be with his father, we can see she wishes he was there with her. The two of them swim around in the tiny fish bowl of Bedford Falls in scene after scene, year after year, with the same old fears - George that he'll never get out; Mary that he will.

But the songs to this point have had an order to them - the same order as the scenes from the film that they echo. And if "Have a Cigar" is truly a reference to the scene with Mr. Potter, then the Granville House scene with Mary has already passed. Besides, the first two verses do make more sense once Clarence shows up and asks George to reevaluate his life. But if not Mary, and if not Clarence, then who's left?

Well... if the previous two songs are not just about the movie, perhaps this one isn't either. And if the previous two songs were about a rock star, maybe this one is too.

In the early seventies, "It's a Wonderful Life" began its run on public television. Year after year, George Bailey would run over the same old ground, facing the same old fears, on display in a thousand TV sets like a fish in a fishbowl. And year after year, Pink Floyd was on display on concert stages, covering the same musical ground, visiting the same arenas. What fears did Roger Waters have, and was he searching for another lost soul to share them with? If he identified with George Bailey, then why not George? Why not wish that George was here - a real person, here on Earth? "Wish you were here."

Shine On You Crazy Diamond VI-IX

The first verses from "Diamond" were all about "You." These next verses are about "You" and "I"... and "We." If the album has indeed been the story of George Bailey and Roger Waters, then it reads like the movie, like the album, has come to the end:

Nineteen seventy-five. No one knows where "George Bailey" has been these past twenty-one years. Is he forever trapped in the video in the VCR, or is he somewhere else entirely? Where does a movie character go when the movie is over? The movie reel or the videocassette is stored somewhere, gathering another layer of dust before it is brought out again. The newly completed Wish You Were Here album will soon find itself on its own shelf, piling on its own layers. But Roger Waters and George Bailey will find themselves together somewhere, and they will remember the triumphs of the past. The Dark Side of the Moon, perhaps, for Waters, and for George... that he really did have a Wonderful Life.

Shine on, you crazy diamonds.

The Album Art

The Back Cover

The back cover uses three symbols from the movie, all of which appear while Wish You Were Here is being played. The man is wearing Mr. Potter's bowler hat, he is holding out Mary's "Buffalo Gals" album, and he is standing on George's suitcase. A suitcase that obviously has "plenty of room for labels."

As for the man himself, the lack of a face, arms and legs does not necessarily mean he is an invisible man. Why not simply a man who doesn't exist? After all, the plot of the movie is that George Bailey finds out what life would be like if he never existed.

The Inside

The man diving into a lake is suggestive of George Bailey's headfirst dive into the river to save a drowning Clarence.

The Front Cover

The front cover is still a mystery. The handshake between the two men takes place on a movie back lot, which could be meant as the first clue that this album is connected with a movie. The side of the frame is warped and burnt in much the same way an old film negative might be.

But who are the men?

Drawing on the analysis of the lyrics, could it be Roger Waters (or a representation of "Pink Floyd") shaking hands with George Bailey?

To Be Continued?

As the band plays "Shine On You Crazy Diamond" to open their Pulse concert video, the stage is framed by an image of the heavens. Did the band once again quote the film, pulling the image from the opening scene? What of the image of a boy diving into a petal-filled lake that looks like the icy water that George dove into? Or two images of the boy superimposed in water, like George pulling his brother from the pond?

Maybe it's a coincidence. But maybe it just goes to show that the whole band was in on the secret, and they're all just sharing another inside joke with George Bailey...


Synchronization #1

Ummagumma - Studio Album (1969) with GiGi (1958)

Big Clue: Look at the album cover.


Start CD after third roar of MGM lion. Music should start slightly after credits start.

Some things I noticed:

GiGi soundtrack is on the cover of Ummagumma.

You might notice that uMMaGuMMa conveniently contains MGM in it, and GiGi is an MGM movie.

Man's facial gestures, walking, hand movements match the piano part.

Man points at two women riding during a sudden loud crashing sound.

Girls playing match the speeding up of music and percussion.

Little girl with umbrella turns around during strange sound.

Hear what sounds like cats meowing (guitar effects), while a cat is on the screen.

Drum roll begins when main character appears and ends when he puts on his jacket.

Music matches facial and hand gestures of both men during horse buggy ride.

Music climaxes under Eiffel tower.

Pleasant music plays when man visits GiGi's guardian, her grandmother.

Roger Waters chants during GiGi's singing part. Matches pretty good with scene.

Weird sound effects occur when bottle of wine is brought over to the table, opened, and poured.

Song lyrics describe the situation between the man and his girlfriend perfectly.

Music gets louder when the girlfriend and her trainer rise up from the table together.

Percussion part matches women talking after phone call. (Sounds like Morris code.)

Man's hand and facial gestures during drinking scene match percussion.

Horse dances to the percussion part.

The last song is appropriately named "The Grand Vizier's Garden Party" as the music closes during the party scenes.


Synchronization #2

Atom Heart Mother (1970) with Doctor Zhivago (1965)


Start CD at beginning of Overture, if watching a very old copy of Doctor Zhivago with original length Overture. (Overture has a nice scenic background in this version.)

Or, if watching a new copy of Doctor Zhivago (such as 30th Anniversary), start CD and play it for 32 seconds before starting movie at beginning of Overture. (Overture is 32 seconds shorter than original and has boring screen background.) Probably 99% or more of the copies out there have the shorter Overture.

Some things I noticed:

Atom Heart Mother

Examine artwork of 1994 re-mastered CD while watching movie during this song.

"Father's Shout" refers to Zhivago's poems; he is the girl's father.

"Breast Milky" refers to Lara, Zhivago's lover, the girl's mother.

"Mother Fore" refers to the mother before, Zhivago's mother, who died when he was a young boy.

"Funky Dung" artwork shows the image of shovels, symbolizes the burial of Zhivago's mother.

"Mind Your Throats Please" artwork shows the image of a beautiful musical instrument, similar to the beautiful instrument Zhivago inherits from his mother.

"Remergence" is the retelling of Zhivago's life.

Music and singing sound Russian; the movie takes place in Russia.

Music goes back and forth between instruments during initial conversation with girl.

Music matches leaves blowing in the wind.

Guitar plucking during scene where young Zhivago is given beautiful string instrument.

"Silence in the studio" is announced when the boy is in bed getting ready to sleep.


Each verse lines up with a different scene with these characters:

Verse 1 - Lara

Verse 2 - Dr. Zhivago

Verse 3 - Lara's mother

Verse 4 - Lara

Verse 5 - Lara and her tormenter

Summer '68

Starts just after man closes door.

Marching people fit with the music.

Dancing matches music.

Music ends when scene ends.

Fat Old Sun

Second time "A silver sound" is sung, the sword blades are swung.

Song ends when scene ends.

Water dripping as tears drip.

Alan's Psychedelic Breakfast

This song has several sound effects that match gestures in the scenes.

Bottle noises occur during scene where Lara's boy friend pours iodine on his face.

Crackling noises occur during cigar lighting.

Music changes as scene changes.

Piano playing in song as pianist is performing.

Water and dripping sounds end the album as the doctors pump the woman's stomach. (Lara's mother tried to commit suicide.)


Synchronization #3

Meddle (1971) with Gone with the Wind (1939)


Start CD at the beginning of the movie's Overture.

Some things I noticed:

One of these Days

Wind blowing at the start of the song. Song ends as the credits end. It is timed perfectly.

A Pillow of Winds

Country song starts right when intro story appears on the screen.


"Hill's too steep to climb" during a scene where Scarlett and her father look out at the hilly landscape.

Whistling in song when she puts on a dress.

Cheering ends when she turns around with an angry look.

San Tropez

Song's tempo fits scenes.

BIG CLUE: "Gone with the Wind" is one of the lyrics in this song, no kidding.

"Leading me down" as Ashley is lead down the stairs.

"I hear your soft voice calling me" could almost be Ashley talking to Melanie.


Dogs barking symbolize the men (dogs) going after Scarlett.


Quiet beeping matches Scarlett's eyes going from guy to guy.

Percussion matches her sneaking around and down the stairs.

Long instrumental during big scene between Scarlett and Ashley. Music fits scene.

Eerie sounds play as Ashley and Melanie kiss... continues to Scarlett's marriage to a man she doesn't love. Wind blows. Crows can be heard during conversation between Scarlett and her mother, as they mourn the loss of Scarlett's first husband.

Music slowly changes mood as scene changes to the dance.

Music becomes more upbeat during scenes between Scarlett and Rhett. Changes in pace of music matches dancing.

Album ends with Scarlett trying on a gift from Rhett.


In the re-mastered CD on page with Seamus is an item with "Captain" written on it. Two of Scarlett's husbands were captains.



Synchronization #4

Meddle's "Echoes" (1971) with 2001 - A Space Odyssey's "Jupiter and Beyond the Infinite" (1968)


Start the song "Echoes" at the beginning of 2001 - A Space Odyssey's section "Jupiter and Beyond the Infinite." The screen should be black just before the title "Jupiter and Beyond the Infinite" phases in. The title should come up on the third ping.


Synchronization #5

Obscured by CLOuds (1972) with A CLOckwork Orange (1971)


Start the CD right at the beginning of the movie. It helps to examine the
Remastered CD booklet while watching this synch.


Synchronization #6

Dark Side of the Moon (1973) with The Wizard of Oz (1939)


Start the CD right after the third roar of the MGM lion. When the CD finishes, pause the movie. Restart the CD. After 8 seconds into the first song, unpause the movie. When the CD finishes again, perform the same procedure again. There are many web sites out there that describe the numerous connections between this movie and album.


Synchronization #8

Animals (1977) with Casablanca (1943)


Start CD at the beginning of the Warner Brothers shield. Repeat the CD until the end of the movie.

Some things I noticed:


"When you're on the street" during scene with people on the streets of Casablanca.

"Looking over your shoulder" as woman looks over her shoulder.

"Just another sad old man" as an old man appears on the screen.

Dogs barking on album as the dogs of war talk in the movie.

"Stand my own ground" as main character Rick is looking down at the ground.

"Who was given a pat on the back" when Rick pats the piano player Sam on the back.

Pigs (Three Different Ones)

First pig is the French pig, the French officer.

"Good fun with a hand gun" when man is shooting pistol in Rick's club.

Rick sits down at table with three pigs (different ones).

"Hey you White house" as pig with white uniform walks to table.

Casablanca means white house in Spanish.


Bahh-ing of sheep when "good guys" are conversing.

Long vocal notes when camera is focusing on Ilsa, Rick's long lost love.

"What a surprise! A look of terminal shock in your eyes" when Rick sees Ilsa in his club after many years of wondering what happened to her.

Synthesizer synchs up well with spotlight in dark room.

Prayer is spoken in the song during scene with Rick in the dark.

"Bleating and babbling" as Rick drank more and more.

"March cheerfully out of obscurity into the dream" as Rick starts dreaming of the life he once had with Ilsa.

Music becomes more upbeat as he dreams.

Pigs on the Wing (Part Two)

The music fits the movie perfectly.

"A shelter from pigs on the wing" as a plane flies overhead.


Synchronization #9

The Wall (1979) with Alice in Wonderland (1951, animated Disney classic)


Start the first CD at the beginning of the movie, right when the music of the movie starts. When it is complete, pause the movie. Start the second CD and unpause the movie at the same time. Also, you must skip "Comfortably Numb" on the second CD for the synch to work properly.


Alice in Wonderland

ALice in WonderLand

Wonder (ALice) Land

W (AL) L


Some things I noticed:

The Thin Ice

Alice cradles the cat like a baby during the crying in the song.

"And the sky may look blue" as Alice looks up at the blue sky.

"Baby blue" as a blue bird flies by.

"Don't be surprised, when a crack in the ice" as Alice sticks finger into the water creating ripples.

Another Brick in the Wall - part 1

"A snap shot in the family album" as Alice looks in a book.

Guitar part goes nicely with Alice rocking in the chair.

There are bricks in the wall towards the end of her fall.

There is a faint yelling when the door knob (with a face) is grabbed.

The Happiest Days of Our Lives

"By pouring their derision" while the tears flow from Alice's eyes.

Another Brick in the Wall - part 2

Sea creatures dance to the beat.

The bird represents the educator. "Teachers, leave the kids alone."


"Mother, do you think they'll try to break my balls?" when two balls appear in the sky: the sun and the moon.

Walrus represents the politician. "Mother, should I trust the government?"

"Hush now baby, don't you cry" as mother clam watches over baby clams.

"Mother, will she tear your little boy apart?" when sign appears that says 'Oysters on the half shell.'

Goodbye Blue Sky

"Did you see the frightened ones?" - bird looks frightened.

Young Lust

Horsefly rocks to the beat of the music.

One of My Turns

Crashing sound as water spills on Alice.

The sounds of cars passing by matches the letters floating by.

Don't Leave Me Now

Heavy breathing as caterpillar blows smoke letters.

"Don't leave me now" as Alice leaves him.

Another Brick in the Wall - part 3

Music intensifies as Alice gets really huge.

Goodbye Cruel World

"Goodbye" as Alice follows signs for a way out of Wonderland.

Hey You

"The wall [of smoke] was too high, as you can see."

"And the worms ate into his brain." The crazy man's hair almost looks like worms.

Is there anybody out there?

Tinkling noise as fireworks tinkle.

Nobody Home

"I've got wild staring eyes" as rabbit's eyes bug out.

Bring the Boys Back Home

"Time to go...time to go..." is one clue to skip the next song "Comfortably Numb."

Comfortably Numb (SKIP THIS SONG)

On remastered CD set, there is a minus sign next to this song, "6. Comfortably Numb -(6:23)" indicating that it should be skipped.

The Show Must Go On

The title of this song is another clue that "Comfortably Numb" must be skipped.

In the Flesh

Pink cat symbolizes the character Pink Floyd.

"Another with spots" refers to the cards.

Run Like Hell

Cards march to the beat of the music.

The Trial

Both the movie and the album end with a trial.

Outside the Wall

Music is very peaceful after she wakes up from the dream.


Synchronization #10

The Final Cut (1983) with The Longest Day (1962)


First half of the album (6 songs) synchs with the beginning of movie. Second half of the album (6 songs) synchs with the end of the movie.

a "final cut"

Start CD when first scene fades in. Synch works for 6 songs.

Fast forward to end of movie, just before the credits start. Rewind tape for 22 minutes 44 seconds. Start CD at track 7 and play movie. Try to line up the loud explosion with the building exploding from the shot from the tank. This may require a little bit of experimentation.


Synchronization #11

A Momentary Lapse of Reason (1987) with Sayonara (1957)


Start CD at beginning of movie, just before Marlon Brando's name appears. Repeat CD until the end of the movie.

Some things I noticed:

Several aspects of the lyrics apply to the movie.

Learning to Fly. Brando is a pilot in the film.

The Dogs of War describes the bad things that the military does to its enemies as well as its own.

The music changes as the couple kisses. At the beginning of One Slip, the alarm sounds as the couple kisses a third time.

One Slip describes events that happen later in the film. Brando's character falls in love with the lead Asian dancer, and his life changes dramatically.

On the Turning Away "...from the pale and downtrodden" is sung as a pale-faced dancer is down on the ground.

During part of the dance, he whips his head around to the beat of the music.

Yet Another Movie is a hint from Pink Floyd that they have done it again, despite Roger Waters absence from the band.

A New Machine describes Brando's character.

Sorrow. Music synchronizes beautifully with the dancers.


Synchronization #12

The Division Bell (1994) with The Sound of Music (1965)


Start CD after the 20th Century Fox logo, just as the actual movie starts to fade in.

Some things I noticed:

Cluster One

Wind blowing as in the movie.

Pleasant music fits with pleasant scene.

What Do You Want from Me

The nuns enter the church.

"What do you want from me" is song during the prayer scene; people often ask this question of God.

"Even walk on water" is song during church scene; Jesus walked supposedly on water.

Singing women on album as nuns are singing in church.

Poles Apart

Maria is "poles apart" from the way she wants to live her life and the rules of the life of a nun.

Circus music starts playing as Maria comes running into the monastery late.


Maria is, in a sense, "marooned" with seven children, out of the safety of the monastery.

A Great Day for Freedom

This song describes some themes in the movie.

Wearing the Inside Out

The lyrics describe the Captain perfectly.

Take It Back

This song describes the teenage love between the oldest girl and her boyfriend.

Coming Back to Life

This song synchronizes beautifully with the romantic scene between the two teenagers.

"Outside the rain fell dark and slow" while it was raining.

Keep Talking

This song is during the scene when Maria is trying to calm the kids during a thunderstorm by playing a little talking game. The kids are at ease as long as Maria "keeps talking."




Lost for Words

Once again, the lyrics describe the Captain.

The children are playing with a ball.

High Hopes

Maria is teaching the children to sing using a classic guitar.

The kids are dancing in the field.

The group is riding bikes.

They run along side a river, which later in the movie they ride in a boat down the river.

They run through town to explore statues, water fountains, and buildings.

They run in a V-pattern at one point.


Now it's time to watch the song High Hopes on the Pulse video. This is a list of things that happen in the music video projected on the big screen behind Pink Floyd:

There are images of buildings.

People are riding bikes.

People are running through fields.

Classic guitars are flowing down a river.

Kids are in a circle playing with a ball.

Men are carrying a statue.

People are going down a river in a boat.

Kids run in a V-pattern.


All of these similarities are during the same song, High Hopes. What are the chances of that being pure coincidence?


Synchronization #13

The Division Bell (1994) with Planet of the Apes (1967)

Discovered and written by Kenny Dreamx


Start CD after the 20th Century Fox logo, just as the actual movie starts to fade in.


On the cover of TDB is an ape like face. Open the CD booklet to the song Keep Talking, and there are the monkeys together that make an ape face. In the book "Mind Over Matter" by Storm Thorgerson, go to page 139. In the black cape you'll see an ape face. Stephen Hawkings saying that "Mankind lived just like animals" on TDB song "Keep Talking". And at the very end of TDB CD if you turn the volume all the way up. You'll hear a conversation that synchs up magically with the movie. "Is that you, Charlie?" referring to Charlton Heston. It's a trip!

What you will see:

The song titles describe what's going on in the movie.

Cluster One

This is the intro to the opening credits. You see stars glittering & shooting by. In the CD booklet for this song is a picture of an observatory for watching stars & planets.

What Do You Want from Me

It begins just when the spaceship crashes into the water, and the crew members are asking the same question, as they try to get out.

Poles Apart

It begins when the last crew member jumps off the spaceship, and they paddle their way towards a new planet. They are now poles apart from earth. ['And that you'd never lose that light in your eyes' is sung right as the bright sun shines in your eyes.]


They are now marooned on a desert like planet. Just like the picture in the CD booklet.

A Great Day for Freedom

This is when they discover life on the planet. They discover a flower like plant, and trees by a waterfall. The picture in the CD booklet has flowers floating on water.

Wearing the Inside Out

This is when they go skinny dipping by the waterfall. They're wearing the inside out.

Take It Back

This is when the apes take them back to the camp.

Coming Back to Life

This is when Charlton Heston comes back to life after being shot in the throat.

Keep Talking

Heston communicates through writing. His words won't come out right because he has been shot in the throat. Why won't you talk to me? He can't talk.

Lost for Words

Heston is gagged with a muzzle. He then fights his way out of there. The picture in the CD booklet is of boxing gloves.

High Hopes

The ringing of the division bell has begun. Heston is on trial as you hear the bell's ringing at the end. At the very end of the CD, if you turn the volume up. You'll hear "Is that you, Charlie?" as the apes are looking at Charlton (Charlie) Heston. The picture in the CD booklet for the song "High Hopes" is the same one on page 139 of "Mind Over Matter" which you can see an ape face in the black cape, but not in the CD booklet. Publius Enigma has struck again.



Echoes The Best of Pink Floyd (2001)

When I had heard that Pink Floyd was releasing a compilation album, I thought it was really no big deal. Lots of bands do it to introduce new listeners to a broad range of their music, that the newcomers might be interested enough to go out and buy their albums. So, I didn't think much about it. I figured the record company would choose the favorite songs and that was it. Was I ever wrong about the scope of this Pink Floyd compilation.

The first thing that intrigue me about it was the title, Echoes. For years, it has been proposed that Pink Floyd's song "Echoes" synchronizes with 2001 - A Space Odyssey's "Jupiter and Beyond the Infinite." This is one of the synchs mentioned on this page. So, to further erase any doubt of the intentional nature of the synch, Pink Floyd releases an album called Echoes The Best of Pink Floyd in the year 2001. Coincidence? I think not!

The next thing that caught my attention was the mention of over 2 hours of continuous music chosen by the band in the advertisements for it. The songs were overlapped to flow from one song to another. Seems like a lot of work for merely a compilation album. The songs that were chosen for this compilation also peaked my curiosity. Some of the songs were not thought to be "the best" of Pink Floyd. This is definitely not a greatest hits album.

When I bought the album, the elaborate artwork caught my eye. I was impressed with the amount of work put into the imagery of this compilation. After adding all these things together, I found myself considering the possibility of another movie synchronization. Why not? If I were to ask you to splice together various songs together to be played to a movie, you could probably imagine certain songs fitting with certain scenes. It wouldn't be easy, but it would definitely be possible to match themes of songs with themes of a movie. So, I embarked on a new journey to find the secret movie connection.

One thing that caught the attention of others was the inclusion of a book with the title of K-PAX in the very middle of the CD booklet. This clue would prove to be vital in solving this puzzle. So, at my earliest convenience I went with my friend David H. to see the movie K-PAX, which happened to still be in the theatres luckily. A very bizarre event occurred at the theatre. As we were walking through the lobby, we could hear an advertisement for Echoes The Best of Pink Floyd over the loudspeaker. I kid you not. I could not believe the amazing timing of that synchronicity. The movie K-PAX was about a supposed extra-terrestrial that is stuck in a psychiatric ward. A doctor is assigned to figure out what is wrong with the man to help treat him of his delusions. Along the way, this patient starts to help other patients in the ward. In the end, you're not really sure, if he was an alien or not. It's a pretty good movie, and I imagine the book is probably pretty good, too. The movie reminded both my friend and I of the very excellent movie One Flew Over the Cuckoo's Nest. Could this be the answer to the riddle?

I noticed something interesting with the title of compilation, Echoes The Best of Pink Floyd. Notice the first letters of the first two words are E and T. Also, the way Echoes was written on the cover looks almost like ECXOES. Why an X? Could these two clues be pointing to E.T. The Extra-Terrestrial? K-PAX was about an extra-terrestrial. The theatres are even advertising the return of E.T. to the big screen on the 20th anniversary. Look at them together:

Echoes The Best of Pink Floyd

E.T. The Extra-Terrestrial

Other clues for E.T. are the song titles: Astronomy Domine, Marooned, The Great Gig in the Sky, Set the Controls for the Heart of the Sun, and Bike.

Other clues for OFOTCN are the song titles: Marooned, Shine on You Crazy Diamond, The Fletcher Memorial Home, and Comfortably Numb. Also, there are several songs from the crazy one himself, Syd, on this compilation.

Now, I was ready to try the movies with the compilation.

I found a synch with E.T. The Extra-Terrestrial first, and then I found a synch with One Flew Over the Cuckoo's Nest. The amazing thing is that the compilation covers both of these movies in their entireties. Start with E.T. The Extra-Terrestrial and Astronomy Domine on disc one. Play all the way through disc one and then play disc two until the ending with Comfortably Numb. The themes fit nicely with each other. The next synch with One Flew Over the Cuckoo's Nest starts with the next song on disc two called When the Tigers Broke Free. Play to the end of disc two and then play all the way through disc one. Then play the first song on disc two to finish the synch. Notice that I bolded the first character of each of these songs. They spell out ACW, which happens to be the initials of my name, Andrew C. Wendland. I am proposing that Pink Floyd not only synchronized this compilation of songs to two movies, but that they also memorialized the efforts of the one who has been pursuing the intentional synch theory for over four years. Even the CD covers when rotated a 1/4 turn to read ECHOES correctly, look like they contain silhouettes of the letters A and W. Thank you, Pink Floyd, for the pat on the back. Even if nobody else believes it, I will always know in my heart that the members of Pink Floyd have been following my progress and are interested in me sharing the marvelous synchronizations with the rest of the world. Thank you, Pink Floyd, for yet another two enjoyable movie synchronizations. (I wonder whether or not the web ring at the bottom of my page influenced the decision to choose E.T. as synch material.)


Synchronization #14

Echoes The Best of Pink Floyd (2001) with E.T. The Extra-Terrestrial (1982)


Start Disc One when the "Universal - An MCA Company" appears. Play all of Disc One (tracks 1-13) starting with Astronomy Domine. Then play the beginning of Disc Two (tracks 1-4) ending with Comfortably Numb. Examine the CD booklet artwork during each song for additional connections. Watch movie with Closed Captioning to follow movie plot and themes. What follows is only a small list of the connections between the music and the movie.

Some things I noticed:

Astronomy Domine

The opening scene is looking at the star-filled sky.

The theme of the song is fitting.

"...Underground" is sung to alien fingers pulling a flower from the ground.

See Emily Play

"Gazing through trees..." is sung as E.T. looks through the trees.

The Happiest Days of Our Lives

Helicopter sounds as space ship flies away.

Another Brick in the Wall (Part II)

"We don't need no education" as kids sit around table playing D&D.


Song starts right at beginning of the next scene.

Mood fits the movie.

When investigators find the M&M's, the guitars really kick in.

"Nobody sings me lullabies" as Elliot is tucked in by his mother.

Hey You

"Open your heart, I'm coming home" is sung and then Elliot grabs his chest.


E.T. is marooned on earth.

Artwork shows something shaped like E.T.'s head.

The Great Gig in the Sky

E.T. shows kids from where he comes.

Shades in Elliot's room are rainbow colored, just like the spectrum shown in the artwork.

Set the Controls for the Heart of the Sun

Theme fits the movie.


"It's a gas" as teacher places cotton balls in jars to kill frogs with poisonous gas.

Hear mumbling "I was really drunk at the time" after E.T. gets drunk.

Keep Talking

Perfectly timed with E.T. learning how to talk.

E.T. communicates his desire to "phone home."


E.T. and kids are the sheep, while the men hunting for E.T. are the dogs.

"Things aren't what they seem" as E.T. tries to heal fake wound of Elliot's brother's head.

When riding in the bike, E.T. with the cape looks somewhat like a shepherd.

"Fell on his neck with a scream" as they crash land the bike.


Fits the mood of the scene.

Brother finds E.T. by the river dying.

Shine on You Crazy Diamond (Parts 1-7)

Men in space suits enter house; the mood of the music fits the scene.

"Now there's a look in your eyes, like black holes in the sky" as E.T.'s vital signs diminish.

Music is very somber as they declare E.T. dead.


Alarms sound as E.T.'s heart lights up signaling that his friends are returning for him.

"Ten years have got behind you" as the men trail behind the van.

"Home, home again" as E.T. is trying to get home.

The Fletcher Memorial Home

"Home" is where E.T. is heading

Comfortably Numb

"Time to go...time to go..."

Lyrics fit the scene.

"Show me where it hurts" and then Elliot says "Ouch."

"A distance ship's smoke on the horizon."

"I caught a fleeting glimpse" as the door on the space craft closes.

It is appropriate that the first and last songs of this synch were never part of an intentional synch prior to this.


Synchronization #15

Echoes The Best of Pink Floyd (2001) with One Flew over the Cuckoo's Nest (1975)


Start Track 5 of Disc Two when the "United Artist" appears. Play part of Disc Two (tracks 5-13) starting with When the Tigers Broke Free. Then play all of Disc One (tracks 1-13). Then play the beginning of Disc Two (track 1). Examine the CD booklet artwork during each song for additional connections. Watch movie with Closed Captioning to follow movie plot and themes. What follows is only a small list of the connections between the music and the movie. (I got tired of writing.)

Some things I noticed:

When the Tigers Broke Free

"It was just before dawn" is appropriate for the scene.

Strange face in a drawing on a pole or wall looks like screaming face in the artwork.

"Most of them dead, the rest of them dying" is similar to the status of some of the members of the ward.

One of These Days

"One of these days I'm going to cut you into tiny little pieces" foreshadows McMurphy's lobotomy.

Us and Them

Song starts as new scene begins.

"The old man died" as Nurse Ratched looks at McMurphy.

Learning to Fly

Appropriate song title for this film.

Guy holding his head in artwork similar to one of the patients during this song.

Arnold Layne

"On the wall, hung a tall mirror" as McMurphy stands next to the tall chief.

"Chain gang" is what prisoners like McMurphy are in at times.

Wish You Were Here

"A lead role in a cage" is what McMurphy has.

Jugband Blues

"And I'm most obliged to you for making it clear that I'm not here" is how Nurse Ratched makes McMurphy feel when she doesn't grant him any of his wishes.

High Hopes

McMurphy has high hopes for watching the World Series.

"Division Bell" symbolizes the conflict between Nurse Ratched and McMurphy.

McMurphy has high hopes for lifting the water unit.


"You're the kind of girl that fits in with my world" as Billy talks about the girl he wanted to marry.

Astronomy Domine

See Emily Play

"See Emily Play" as McMurphy pretends to see the World Series game being played on the television.

The Happiest Days of Our Lives

Laughing in song as McMurphy laughs.

Another Brick in the Wall (Part II)

Tall fence is similar to a wall.

Patients get on a school bus as the school kids sing in the song.


"And deep beneath the rolling waves" as the patients take a fishing trip on the boat.

Hey You

The lyrics could apply to some of things McMurphy might have been thinking or feeling.


McMurphy is marooned in this strange place.

The Great Gig in the Sky

"I'm not afraid of dying..." and other spoken phrases before McMurphy and company get the electric-shock therapy.

Set the Controls for the Heart of the Sun


Toward the beginning of the song, McMurphy says, "I'll pay off in silver dollars."

Later during the song, McMurphy bribes with money the guy in charge of night watch.

Keep Talking

"Why won't you talk to me?" as the men were hiding in the room trying to avoid replying to the supervisor who was calling for someone.


The patients of the ward are the sheep. The people running the ward are the dogs.


This song precedes the suicide of Billy.

The artwork shows a young man sitting on a bed who looks similar to Billy.

Shine on You Crazy Diamond (Parts 1-7)

"Now there's a look in your eyes like black holes in the sky" relates to McMurphy being returned to the floor of the ward after he's had a lobotomy.

The chief escapes - Shine on you crazy diamond.



Pink Floyd's Signal to Me (posted on on Nov. 8, 2001)

Over the years, those of you who have been here a while know me as the "Intentional Synch Theory" guy. Most of you are quite irritated with the suggestion that Pink Floyd would synch their music to movies. I have made it quite clear that I am 100% convinced that they intentionally wrote albums to synchronize with certain movies. I have been waiting for a subtle hint from the band that I am on the right track.

On April 16, 1998, my web page was created describing a few of the synchs that I or others had found. On November 7, 1998, my web page was updated and stayed that way until its 2nd anniversary, April 16, 2000, when I added several other synchs that were discovered. That was the last update. (These two days, 4/16 and 11/7, are mentioned on my page.)

In the United States, most albums are released on Tuesdays. So, Pink Floyd, having really no new material for quite a while, releases some stuff from their archives.

"Is There Anybody Out There? The Wall Live - PF 1980-81" is released in the states on Tuesday, April 18, 2000. This is the nearest Tuesday to the anniversary of my page. Check this Pink Floyd page for details:

"Wouldn't You Miss Me - Best of Syd Barrett" is released from EMI on April 16, 2001. This is exactly on the third anniversary of the page. [The CD is a UK-compilation of 22 songs. Most interesting is the previously unreleased Barrett composition Bob Dylan's Blues. The recording (from February 1970) has been in David Gilmour's private collection until now. Two Of a Kind is a recording from the Peel Sessions. The remaining songs are from Syd's two solo-albums and Opel.] Check out this page for details:

"Echoes The Best of Pink Floyd" is released from Capitol in the states on Tuesday, November 6, 2001. This is the nearest Tuesday to the only other day mentioned on my page (11/7). Check out this page for details:

The name of the new album, Echoes, is also a synch confirmation. It has been rumored for years that Meddle's "Echoes" synchs with 2001 - A Space Odyssey's "Jupiter and Beyond the Infinite." It is no coincidence that in the year 2001, Pink Floyd releases a "Best of" album called "Echoes."



Synchronization #7 was discovered by Jeff Stillman and Andrew Wendland in November 1997.

Synchronization #13 was discovered by Kenny Dreamx.

Synchronizations #1, #2, #3, #8, #11, and #12 were discovered by Andrew Wendland during November and December 1997.

Synchronizations #5 and #10 were discovered by Andrew Wendland during December 1999.

Synchronizations #14 and #15 were discovered by Andrew Wendland during November and December 2001.

Synchronizations #4, #6, and #9 have been floating around the web for quite some time. The discoverers are unknown. The band probably leaked them.

I want to offer a special thanks to my friends and family members who have inspired me in one way or another and to my friend Todd E. for watching all of my synch discoveries with me.

When sharing these movie synchronizations with others, please remember who discovered them. When reprinting these synchronizations, please give us credit. Thank you and enjoy.


Andrew C. Wendland

(remove "no-spam" from address)

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Andrew Wendland.

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